Faith FMEHG3 Hi-Gloss Mercury E Scoop Electro Acoustic Parlour Guitar (43mm Nut) inc Hardcase

In Stock

£999.00
£1,259.00

High Quality Spruce Soundboard

Scoop For Access to Upper Frets

  • Solid Engelmann Spruce
  • 3 Piece Rosewood Back
  • Solid Rosewood Body
  • Macassan Ebony Fingerboard
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Faith FMEHG3 Electro Acoustic Parlour Guitar 

Faith HiGloss series have always been designed to offer both visual and aural beauty, and with the updating to HiGloss-3, 

we’re sure you’ll agree these wonderful instruments will continue to inspire musicians for generations to come.

 

Using a more sustainable 3-piece, solid rosewood back design, we can ensure that these incredibly popular models are available 

longer-term and yet retain all the tonal and visual punch that HiGloss-series afficianados have come to expect. Using high 

grade Englemann Spruce for the top and highly-figured, 3-piece Rosewood bound in Flamed Maple for the back and sides, 

HiGloss-3 models also feature solid Flamed Maple binding on the front and use stripy Indonesian Ebony for the fingerboard, 

bridge, headplate and heelcap.

 

Tonally, this combination of wood is generally bright and ‘zingy’, delivering great clarity. Visualising this as a frequency 

curve, it would be shaped like a smile: high on the bass, dipping down through the middle and rising once again at the top 

end. Therefore greater string separation and articulation is achieved, lending itself to fingerstyle and solo pieces in 

particular.

 

This Faith Guitar is fitted with the refined, low-profile Fishman INK3 preamp system with the Sonicore piezo pickup located 

under the saddle. The preamp features a chromatic tuner, 3 band EQ and volume control. The output jack is located at the base 

of the guitar as part of the ingenious, easy-access battery compartment. All HiGloss series Faith Guitars are complete with a 

Faith Hardcase.

 

A little beauty, this Mercury is a traditional short-scale parlour model. With the neck joining the body at the 12th fret – 

rather than the 14th – the strings are held at a slightly lower tension than on regular models. Another implication of the 12th 

fret join is that the bridge is shifted further from the soundhole. 

 

These features result in a guitar that is physically easier to play, sounds much bigger than you would imagine and is also 

simple to handle and transport. 

 

 

 

Top Wood Solid Engelmann Spruce

Back Wood Solid 3-Piece Rosewood

Side Wood Solid Rosewood

Binding Solid Flamed Maple

Bracing Material Hand-Scalloped Quarter-Sawn Spruce

Bracing Pattern Patrick James Eggle X-Brace Design

Rosette 5mm Abalone with Fibre Border

Neck Mahogany

Neck Finish Satin

Neck Joint Patrick James Eggle Bolt-On Design

Fingerboard Macassan Figured Ebony

Fingerboard Radius 16"

Fingerboard Inlays Mother of Pearl 'F' at 12th Fret

Machine Head Grover Rotomatic Gold

Trussrod 2 Way

Nut / Saddle TUSQ (PQ-6116)/(PQ-9110)

Nut Width 43mm / String Spacing 55mm

Bridge Macassan Figured Ebony

Bridge Pins Macassan Figured Ebony with Abalone Dots

Finish Type High Gloss Top, Back and Sides

Preamp / Pickup Fishman INK3 Preamp with undersaddle pickup

Hardcase Included

Dimensions

 

Upper bout 240mm

Lower bout 340mm

Depth at neck 96mm

Depth at base 110mm

Body Length 500mm

Soundhole Diameter 100mm

Scale Length 610mm

Fingerboard Radius 16 inch